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The Spirituals and the Blues: An Interpretation, by James H. Cone
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About the Author
James H. Cone, Bill and Judith Moyers Distinguished Professor of Systematic Theology at Union Theological Seminary, is widely regarded as one of the most influential theologians in America. His books include Black Theology & Black Power, A Black Theology of Liberation, The Spirituals & the Blues, God of the Oppressed, Martin & Malcolm & America: A Dream or a Nightmare and The Cross and the Lynching Tree.
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Product details
Paperback: 152 pages
Publisher: Orbis Books; 2nd Revised ed. edition (August 18, 1992)
Language: English
ISBN-10: 9780883448434
ISBN-13: 978-0883448434
ASIN: 0883448432
Product Dimensions:
5.2 x 0.4 x 8.2 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#43,566 in Books (See Top 100 in Books)
James Cone is undeniably one of the most important theologians of the last century, and this book helps the reader to understand an important development in his thought. Cone burst onto the academic scene with "Black Theology Black Power" (1969) and quickly followed up this work with "A Black Theology of Liberation" (1970). In these two texts Cone founds Black Liberation Theology as an academic discipline, and brilliantly argues that the Black Power movement was the gospel that racist America, and those oppressed by it, needed to hear.Cone's first two books, however, suffered from the fact that he was almost exclusively drawing upon white theologians in his quest to craft an authentically Black theology. This drew criticisms from various sectors of the theological community - perhaps most pointedly from his brother Cecil Wayne Cone in "The Identity Crisis in Black Theology - and Cone took those criticisms to heart. "The Spirituals and the Blues" is Cone's first attempt to craft theology from Black sources indigenous to America, namely the spirituals and the blues. Cone draws inspiration from the spirituals that sustained enslaved Black Americans and nurtured him in his spiritual upbringing, and argues that the blues - while not explicitly religious - are in fact a theological counterpart to the spirituals. This work then has a profound impact on Cone's mature systematic work "God of the Oppressed" and has borne fruit in more recent Black Liberation and Womanist thought that has drawn theological insight from slave narratives, the hush harbor church, the experiences of Black female domestic workers, etc. This work significantly broadened the academic field of Black Liberation Theology, and has significantly enriched theological discourse in America.
If you are not black, this book will be especially eye-opening. We tend to downplay the psychological burdens and emotional suffering of others. This book corrects that for those of us who have not experienced the suffering imposed by racism. Cone's book can also open our eyes to other forms of suffering not related to race, even to understand better those other forms of suffering.
Wonderful book
Loved the bookdatean time
Easily one of the most beautiful theological works that analyzes the black spirit in and through the spirituals and the blues. These musical outlets are more than ascetic get-aways under oppressive regimes, rather they embody the rhythmic sways and suaves of black hope and grit. Grounded in real history, the spirituals and the blues expose, reject, and recapitulate supremacists' definition of black nothingness/nobodiness into black somebodiness. For blacks, music is their authoritative medium for reshaping their narrative towards a redemptive and majestic eschatological hope: "My Lord! Po' mourner's got a home at las'. Mourner's got a home at las'."cf. sooholee.wordpress
Cone always comes through
This is a fascinating book. The comparison of the spiritual and blues is informative, thought provoking, and inspirational. I recommend this book to anyone interested in the spiritual.
very informative
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