Thursday, July 19, 2012

Posted by Haley Mendez on July 19, 2012 with No comments

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, by John Horgan

Product details

File Size: 1128 KB

Print Length: 305 pages

Publisher: Mariner Books (March 22, 2004)

Publication Date: November 1, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003WJQ6ZE

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Despite the title of this book, there is no such thing as rational mysticism. This book is really a critical discussion of mystical experiences: how they happen, what they are like, what they mean, and their effects on people who experience them. Each chapter focuses on a particular philosopher, scientist, psychologist or guru who has experience with and strong opinions about mysticism. The author describes their ideas and then discusses them critically, considering their logic or illogic and relevant evidence. It is clear that—contrary to some claims—not all mystical experiences are essentially alike. While most are positive, some are negative. Do mystical experiences reveal profound knowledge? Different mystics have come to different conclusions on fundamental questions such as: What is the nature of God? Why does God allow evil? Why are we here? Why is there anything, instead of nothing? What is enlightenment? What is the significance of the mystical “oneness” experience? Is escaping from the “self” really a good thing? Some chapters are about mystical experiences generated by drugs. Are they legitimate mystical experiences, or are they merely the bizarre consequences of abnormal brain activity? Or does it make any difference? Horgan rightly takes a critical, skeptical view of many of the claims for the benefits of mystical practices and experiences, but he does not deny that for some people they are meaningful and valuable and life-changing.

An excellent survey of an unwieldy topic. Well written and relatable. I think he got the point in the end, but somehow seems to have missed that what he thought was a rejection of mysticism was actually an embrace of mysticism. He ends by embracing the here and now of life lived, and rejecting the notion of some ethereal transcendent unity. But they are not opposed. In Zen, they sometimes say "samsara is nirvana." That is, enlightenment is not different than the mundane of daily life. In fact, the mundane of daily life is the essence of enlightenment. "Savor the unflavored" as one translation of the Tao Te Ching puts it. All that said, the book itself was nicely written and an easy, pretty light read that gives a nice top-level survey of some ideas and perspectives related to mysticism without being either overly skeptical or enthusuastic.

I liked this book. What I really appreciated were the series of perspectives offered by the various interviewees. As a serious mystic myself (more than thirty years of study, practice and living), I'm always interested in hearing about people's practices, lifestyles, and views on their spiritual journeys. I thought Horgan asked a lot of intelligent questions and that his search for expanding and deepening his understanding of mysticism was genuine. Like other reviewers, I found the book very readable.What I thought was its greatest weakness was a tendency toward narrow-minded intellectualism. I was drawn to this book because as a mystic I feel strongly that my practice and outlook should be grounded in disciplined rationality and critical analysis. The way I put it is that I believe that every mystic can benefit from having a well-calibrated bulls***detector. But for me, rationality is just a starting point. When it comes to mysticism, there are deeper ways to explore reality.These involve using faculties that can be cultivated through practice. The author seemed to be limited in his understanding by a lack of years of serious mystical practice himself. His analysis is often a bit glib and shallow at places. He seemed most interested in finding quick answers and some kind of a short cut--some "mystical technology"--that would take him to deep truths. He tended to intellectualize aspects of mysticism that are much more subtle and nuanced.I am a great believer that science and mysticism should be friends. Neither should set themselves up as a final arbiter of truth, but instead should carry on an ongoing conversation characterized by mutual respect and keeping each other honest. For example, not being a scientist myself I try to be respectful of the limitations of my knowledge. Being a big fan I read a lot of science books, yet I know that while I can follow many of the conceptual distillations science writers provide, I don't speak the native language--i.e advanced mathematics--that would allow me to really understand and carry on analysis myself. A lot of smart people like Horgan tend to believe because they understand English they understand fully what mystics are saying. To his credit he did ask a lot of questions, but a lot of times his questions were reductive or he seemed have his thumb on the scale on the side of science as the final arbiter. His concepts of "enlightenment" and "attainment" are good examples. The kind of "attaining" he wrote about implied an ego-driven pursuit and his notion of "enlightenment" seemed to be the spiritual equivalent of winning the Mega Millions. In the end many of his critiques ended up being critiques of his own limited conceptions. Still, the interviews are really interesting, and many of his reflections are deeply thoughtful, heartfelt and meaningful. He raises a lot of good questions and makes many valid critiques. As I said, I liked this book.

I stumbled upon this book in the Library years ago. I think back on my studies on religion and Mysticism and I have to admit it all started for me with this book. It reads like a long magazine article, a sort of journalistic inquiry piece; its up front with that tone and perspective. The other reviews seem to criticize this book for not being objective, those criticisms are misguided, this book is not an Encyclopedia on the topic, it is a very personal and honest inquiry into the subject of Mysticism. I felt the author did a good job at showing you his thoughts and expressing his doubts when he felt them. His hesitations about Ken Wilber I also felt when I followed up this book with some of Wilber's writings.I still find myself going back to this book to see where I need to follow up with more readings on the subjects and authors that are covered here.I recommend it to anyone at any level.

Not finished but I'm enjoying the read. I am a student of mysticism since the 70s and I hold a BA in philosophy, an MTS degree in theological studies and a PhD in human development education & clinical psychology. Unlike the author, I have committed to a mystical world-view and life-style.

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Saturday, July 14, 2012

Posted by Haley Mendez on July 14, 2012 with No comments

Get Free Ebook Looking for the Lost: Journeys Through a Vanishing Japan (Kodansha Globe), by Alan Booth

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Looking for the Lost: Journeys Through a Vanishing Japan (Kodansha Globe), by Alan Booth


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Looking for the Lost: Journeys Through a Vanishing Japan (Kodansha Globe), by Alan Booth

Review

"[Booth] achieved an extraordinary understanding of life as it is lived by ordinary Japanese....Frequently brilliant in his insights."—F.G. Notehelfer, The New York Times Book Review"Alan Booth was not only the best travel writer on Japan, but one of the best travel writers in the English language. Looking for the Lost is a superb exercise in describing Japan from the point of view of an outsider with the knowledge of an insider."—Ian Buruma, author of The Wages of Guilt"Booth had a horror of pretension....[He] never fails to produce the whimsical anecdotes that keep the whole account down-to-earth."—Elizabeth ward, Washington Post Book World

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From the Back Cover

In his final work Alan Booth takes us on a fascinating journey by foot through three remote regions of Japan to search for the country's geographic and spiritual heart - and for the elusive connections between present and past, self and society. Looking for the Lost is a beautifully written, opinionated, and entertaining look at the life and slow death of a culture, and a poignant self-portrait of a writer also nearing death. Booth's journeys begin in the far north, in the homeland of modern Japan's most famous outcast, the decadent novelist Osamu Dazai. His often hilarious encounters in the towns along the lonely, underdeveloped coast where Dazai grew up reveal a region caught between change and tradition, where the effects of Japan's economic miracle are only now being felt. Booth then explores the tangled wilds of southern Kyushu - the battlegrounds where Saigo Takamori, one of Japan's most-loved tragic heroes, led his small rebel army in a futile last stand against overwhelming government forces in 1877. Finally he turns to the mountains and rivers in central Japan where the Heike clan, defeated by the Genji in the epochal twelfth-century civil war, were said to have dispersed. The bloody fall of the Heike marked the decline of refined court culture, an aristocratic golden age that Japan still clings to, however tenuously, in a time of love hotels, tourist traps, and industrial sprawl.

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Product details

Series: Kodansha Globe

Paperback: 400 pages

Publisher: Kodansha Globe; New edition edition (May 15, 1996)

Language: English

ISBN-10: 1568361483

ISBN-13: 978-1568361482

Product Dimensions:

5.6 x 1 x 8.4 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#335,099 in Books (See Top 100 in Books)

I was really impressed with Alan Booth's Roads to Sata and was relishing the chance to read his follow up, Looking For The Lost (1995). And again I was impressed, the first section, "Tsugaru" is Booth's retracing the path of Aomori author Osamu Dazai, who was famous for his writing and booze fueled life and many suicides attempts-one of which, was successful. The name of Dazai's book that Booth uses as his guide of the region was Return to Tsugaru: Travels of a Purple Tramp, which gave Both points of reference even though that trip was undertaken 50 years earlier. In the book Booth tells a waitress at the inn that was once Dazai's home that he wasn't particularly a fan-and I can believe it. (I'm not such a huge fan of a selfish miserable man either) I think it was merely a good excuse for him to explore this remote northern-most region of Honshu-an area that he professed his love for earlier and mentioning that when he first arrived in Japan he lived just south of Amori in Akita prefecture. I know very little of the region save its regional products, the Namahage devil festival / costumes, and the famous colorful float festival known as the Nebuta festival. But his observations of the people and region are intriguing. He was particularly impressed with Hirosaki, which he called one of his favorite places in Japan.In the second section, "Saigo's Last March," Booth follows in the footsteps of Saigo Takamori's famous retreat from Mount Enodake in the northern part of Miyazaki prefecture through mountains down to his home town of Kagoshima. I suppose I would liked to read more about Takamori and his impact on modern Japan sometime. However, in this sparsely populated area Booth has many false starts and he is not able to keep up with Takamori's timetable for the march. Along the way locals tell him the history of Takamori's doings in their villages during his long march home. As usual, beer is drank, chats are had, and this trip seems more miserable than others because of the constant rain he encounters on his walk. Again wry observations about the people and Booth's impressions are made as well. Of those two prefectures I have only been to the main cities of Miyazaki and Kagoshima, so the descriptions of the rugged land is somewhat of a revelation-however, the impression was made on trips from the airports into the main cities on those trips.In the final section, "Looking for the Lost," Booth attempts to follow and explore the retreat of the Heike (also known as the Taira) clan that was said to have been chased out of Kyoto into the north most likely along the Nagara River. Like the previous two entries there are witty exchanges with locals, more wry observations, and more historical recounting. However, this section also tells the reader more about the author and his obsessions that brought him to Japan in the first place, and why he abandoned them. This is triggered by the staid historical museums and preserved houses for tourism that are scattered about the region: "I was reminded,strolling around the breezy paths, of why I had come to Japan in the first place-not in search of the coyly picturesque but of something I had thought might be living and was dead." "So culturally edifying is the Noh that great pains have been made to pickle it. like much else in Japan that is deemed worthy of awe, the Noh has been stripped of any connection with life as it is actually lived and frozen into a fossil."But rather than retreat, he finds other interests that keep him in Japan writing about the land, the people, the culture, and the customs as he experienced them firsthand on his travels. The books ends with a powerful prophecy of the author's future. It is a fitting companion to his earlier masterpiece The Roads to Sata. Booth has earned a rightful place among the ranks of the best visitors who wrote so insightfully about Japan like Donald Richie and Ian Buruma.

...but the encounters along the way,, usually over beer, that make the journey significant. The Roads to Sata: A 2000-Mile Walk Through Japan, which I read a year and a half ago, was my introduction to the works of Alan Booth. It is the account of his journey - walking every step of the way - across the four principal islands of Japan, from the very northern tip of Hokkaido to Cape Sata, at the southern tip of Kyusha. (He exhibits his droll wit by describing his insistence never to take a vehicle, even over short distances, as his "Protestant Walk Ethic"). It was a long walk of 2,000 miles. Given his fondness for beer (he never mentions, ever, drinking water), he notes in the present volume that one reviewer called The Roads to Sata: A 2000-Mile Walk Through Japan a "...2,000 mile pub crawl." In the process though, Booth reveals that he is an incisive observer of the Japanese, and a Japan that is beyond the experience of virtually all non-Japanese speakers. He had come to Japan in 1970 to study Noh theater, married a Malaysian of Chinese decent, and decided to stay, becoming fluent in the language as part of the process. This would be his last work, published posthumously. He died of cancer in 1993.Booth's last work is composed of three parts. Each part is structured around a hike of two to four weeks. The travelogue part covers sore feet, welcoming to rude ryokan innkeepers, and, for anyone thinking of duplicating these trips, a LOT of rain. But then, at least he is not camping in it. Even by the late `80's, there is still the general assumption of many he meets that he cannot speak (or read) Japanese because he is a gaijin (foreigner). But his wanderings are not random; he structures them around a historical personage or event, and thus the "looking" (or, as Proust would say, the "searching") for the impact of the past on the present.In the first two trips, he went to "extremes" of sort. Although he did not visit the northern most island, Hokkaido, this time, he did hike the Tsugaru peninsula, in far northwestern Honshu (which is the largest island). It is May, and cold, though the cherry blossoms will soon be abloom. He decides to follow the travelogue of Dazai Osamu, who journeyed in this area in 1944, during the final year of World War II for the Japanese. Osamu was certainly a strange character, who attempted suicide on four occasions, and succeeded on the fifth. Booth, in his humorous way, debunks and disputes much of Dazai's account. Still, many in the region recognize him for placing this remote peninsula on the "tourist map." The second trip is in the far south, on the island of Kyushu, in the heat of August. Booth wanted to retrace the steps of the defeated army of "the lost cause," at the same time of year that it had actually occurred. It was the last "civil war" on the main islands of Japan. Saigo Takamori, much romanticized in the region, led the revolt of the last of the samurai class. Swords against the guns of the central government, with predictable results. Saigo did his own version of Mao's "the long march", and it taxed Booth to keep up with the schedule. The third trip was in the middle, starting from Nagoya, which had to be completely rebuilt after WW II bombing. (Fittingly, the town is located between Kyoto and Tokyo (Edo, as it was once called). Booth is chasing down the remnants of a much earlier conflict, which commenced in 1180, and lasted five years. This is related in The Tale of the Heike, a constant companion of sorts. The winners might write the history, but Booth demonstrates that it is the losers that write the literature. After the Kyoto faction was defeated, the remnants fled into the remote mountainous regions of the "spine" of Honshu... one of the town's names, Taira, is probably derived from a leader of the Heike. Many of the houses in this region have roofs that are thatched, and steeply pitched, because of the snow. But those that can repair them are dying off, with no replacements, and Booth predicts that, say, by now, only a few at designated "tourist spots" will remain.The book is replete with wise observations. A chapter that resonated with me is entitled "Pickled Culture", and it reflected my one experience with the Noh theater. And by someone who had come to Japan to study it. He says: "...(a Noh production) is about as comprehensible to a cross-section of modern Japanese society as an oral rendition of Beowulf in the original would be to a cross-section of modern British society."Finally, what he calls the "niggling" in his gut was felt when he crossed the spine of Honshu, which would be diagnosed as cancer, 27 months later, and to which he would succumb. A keen observer, with a humanist heart, and I wish we could have shared a beer. He is missed. 5-stars, plus.

I first read Alan Booth's books when I was living in Kyushu, and wanted to learn more about Saigo Takamori. His tale of trying to trace Saigo's epic trek through the back mountains of Miyazaki mixed scholarship and the travel essay brilliantly, and made me want to learn more -- though definitely not to retrace the steps! The author's fatigue and misdirections were skilfully reflected in passages on the physical torments Saigo Takamori endured. The reader feels like he is peeking into the period of the Satsuma rebellion and will feel grateful to return to modern time. Booth's affection for Japan is not without exasperation, but is limned by an acceptance of himself and Japanese society that borders on the luminous. You might appreciate some of his reflections more if you have lived in Japan, but no historian or connoisseur of language can fail to appeciate his writing, which deftly moves between the philosophical, the absurd, and the purely human.

If you're sick of the usual "Japan is a country of opposites"-type schlock that appears in mot travelogue about Japan, then "Looking for the Lost" (or Booth's other book, "The Roads to Sata") are wonderful antidotes.Through simple, real-life observations and exchanges -- no grandiose oversimplifications and cliches here! -- Booth presents the complexity, silliness, friendliness, biases, perspectives, history, modernity, antiquity and culture of the Japan beyond the big cities.As a Tokyoite for seven years (transplanted from NYC), I can say without equivocation that Booth's two tomes are the most accurate, truest, loveliest texts you will ever read about the country.

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Monday, July 2, 2012

Posted by Haley Mendez on July 02, 2012 with No comments

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Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture

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Audible Audiobook

Listening Length: 7 hours and 19 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: University Press Audiobooks

Audible.com Release Date: June 16, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B00ZRWMDD8

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Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture PDF
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Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture PDF

Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture PDF

Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture PDF
Independence in Latin America: Contrasts and Comparisons: Joe R. And Teresa Lozano Long Series in Latin American and Latino Art and Culture PDF
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