Ebook Download Radiant Oils: Glazing Techniques for Fruit and Flower Paintings That Glow, by Arleta Pech
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Radiant Oils: Glazing Techniques for Fruit and Flower Paintings That Glow, by Arleta Pech
Ebook Download Radiant Oils: Glazing Techniques for Fruit and Flower Paintings That Glow, by Arleta Pech
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About the Author
Arleta Pech is recognized as a leading painter of still life, enjoying international renown as a top watercolor artist for over thirty years. She has published multiple articles and two North Light books: Painting Fresh Florals in Watercolor, published as a hardcover in 1998 and released in paperback in 2003, and Radiant Oils in 2006. Visit her website at arletapech.com.
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Product details
Paperback: 144 pages
Publisher: North Light Books (October 9, 2013)
Language: English
ISBN-10: 1440311609
ISBN-13: 978-1440311604
Product Dimensions:
8.2 x 0.5 x 10.9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
74 customer reviews
Amazon Best Sellers Rank:
#453,148 in Books (See Top 100 in Books)
This book is all about glazing. There are hundreds, if not thousands of books on other, more common oil painting techniques, such as impasto, plein air, alla prima, but this book focuses solely on glazing.The Old Masters used glazing on rich fabrics and jewels so it is important to add the knowledge of glazing techniques into your oil painting skills.If other oil painting books mention glazing, it is just in passing. Arleta happens to be an accomplished watercolor artist and she incorporates her knowledge of watercolor skills into this book on glazing. She is very experienced in painting in layers, and creating luminosity with transparency.Arleta loves floral still lifes, so all of her projects are still lifes with flowers in them. But she also talks a lot about photographing the subject, stretching the canvas and which exact oil colors she uses for her glazes. She also discusses the various alkyd mediums so you know how they compare.The book is a series of exercises and projects, going from a simple sphere and then some fruit, to complicated projects of crystal, silver, and sweet peas. The picture on the cover of the book is one of the projects. This book is set up to truly teach you HOW to do it. She breaks down every project into many steps, telling you exactly which colors to use and where to put them.So, even if you are not into flowers or still lifes, this book will give what you need to know so that you can incorporate the tools of glazing into any of your own oil paintings.
I own both of Arleta Pech's books, this one and "Painting Fresh Flowers in Watercolor" and several of her DVDs. Arleta was originally a watercolor painter and many of her techniques are reminiscent of watercolor. However, what she is able to accomplish by glazing with oils is amazing. If you want to learn oil glazing and how to paint realistically, this book will not disappoint. It is well written and detailed. The painting demonstrations are easy to follow. If you follow Arleta's techniques your oil paintings truly will "glow". Arleta uses traditional oils but I work in water soluble oils and have achieved the same results. This book is an excellent guide for both the beginning and experienced painter.
I agree mostly with the other reviews concerning the thorough explanations and well-written instructions, as well as beautiful work produced by the author. My problem with the book is that the author/artist glazes absolutely EVERYTHING in every painting. Her style of painting in oils is virtually identical to using watercolors, and quite the opposite of using glazing in a 'classical' oil painting style, which is what I was looking for. Most of the classical masters used glazing of color only after a full umber underpainting and a dead layer (black and white), then proceeding to glaze color and finally ending with more opaque paint in the final layer(s). This is the kind of instruction I was looking for, and as good as the book is at displaying the author's technique it is virtually a textbook on using oils in the style of watercolors. Example: anything 'white' in the painting is simply the canvas showing through, as in watercolor, and each layer is painted from the lighter areas to eventually the darker areas in very thin transparent layers. To sum up, this is a good book and artists can learn from it, but I was expecting the glazing process to be a smaller part of the whole procedure, not the whole procedure itself.
I am new to oiils and mainly work in acrylics using a glazing technique of sorts. I tried to apply the same to oils and the transition between mediums was a disaster. While looking through the Oils section of books on Amazon, I came across Arleta Pech's 'Radiant Oils'. I checked out the 'Look Inside' feature and from what I saw, I knew this was what I needed. Arleta's instructions in layering with oils and especially the medium to oil ratio was just the information I was looking for. I recommend this book especially to those artists who are coming from an acrylic background and like using the glazing technique. This is the 'missing link' of info for that transitioning! I love it and recommend this book.
This is a practical, go to book for anyone who wishes to learn about glazing techniques for oil painting. I've owned this book before, and loaned it out so many times, it eventually didn't come home. So I ordered a new copy for myself. Glad to see this book is still there to be ordered.
This book had much of what I needed to learn to paint with glazes. However, I was still not quite sure what I was doing by the end of it. So I ended up buying 3 of Arleta's oil DVDs, which were extremely complete references on how to paint with glazes. The book gave me the impression that Arleta was painting with watercolor rather than oil. All in all, however, I would still recommend this book if you want to know how to paint with glazes. I would recommend her DVDs more, though.
One of the best how to books for glazing. This author shows how to create colors by layering single colors on top of other dried colors. (no color mixing)
I bought this book last year on the advice of another artist friend. It's a good quality book, the images are very good. The technique of layering paint is very good. I thought he subject matter for painting was a bit limited but the author is a still life artist for the most part so I guess that is to be expected. I think the advice in the book is good and will help any artist wanting to improve technique and quality of paintings. The section on photographing artwork is great, one of my favorite parts of the book.
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